Arpeggio · E♭6 · Guitar
The E♭6 arpeggio is E♭ – G – B♭ – C — chord tones 1 3 5 6. E♭6 is a tonic alternative to maj7, especially on the last chord of a tune; its sound is open, classic, swing-era. Below, every E♭, G, B♭, C on the fretboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.
Visualizer
Guitar · standard tuning
Piano
Play loops the arpeggio up and down one octave (switch Loop off for a single pass) in the position starting at fret 6. Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.
Reference
| Chord tone | Note | Interval from E♭ |
|---|---|---|
| 1 | E♭ | unison (0 semitones) |
| 3 | G | major 3rd (4 semitones) |
| 5 | B♭ | perfect 5th (7 semitones) |
| 6 | C | major 6th (9 semitones) |
Goes with: E♭ Major (Ionian) (E♭ F G A♭ B♭ C D). Voicings: E♭6 voicings on guitar.
Common questions
E♭ – G – B♭ – C. As chord tones: 1 3 5 6. Played one after another instead of together, that is the arpeggio.
E♭6 is a tonic alternative to maj7, especially on the last chord of a tune. Its character is open, classic, swing-era.
E♭ Major (E♭ F G A♭ B♭ C D) — the arpeggio is the skeleton of that scale, so practise them together.
Start on the root E♭ on the A string at fret 6 and play A-string fret 6, A-string fret 10, D-string fret 8, D-string fret 10, G-string fret 8. Then play it descending, then in eighth notes with a metronome, then over the a tonic alternative to maj7.
Keep going
Same arpeggio on piano · Major 6th hub · chord-scale theory.
Other arpeggios from E♭