Arpeggio · Gm7♭5 · Guitar
The Gm7♭5 arpeggio is G – B♭ – D♭ – F — chord tones 1 ♭3 ♭5 ♭7. Gm7♭5 is the iiø chord of a minor ii–V–i; its sound is dark, unstable, leading. Below, every G, B♭, D♭, F on the fretboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.
Visualizer
Guitar · standard tuning
Piano
Play loops the arpeggio up and down one octave (switch Loop off for a single pass) in the position starting at fret 3. Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.
Reference
| Chord tone | Note | Interval from G |
|---|---|---|
| 1 | G | unison (0 semitones) |
| ♭3 | B♭ | minor 3rd (3 semitones) |
| ♭5 | D♭ | tritone (6 semitones) |
| ♭7 | F | minor 7th (10 semitones) |
Goes with: G Locrian (G A♭ B♭ C D♭ E♭ F). Voicings: Gm7♭5 voicings on guitar.
Common questions
G – B♭ – D♭ – F. As chord tones: 1 ♭3 ♭5 ♭7. Played one after another instead of together, that is the arpeggio.
Gm7♭5 is the iiø chord of a minor ii–V–i. Its character is dark, unstable, leading.
G Locrian (G A♭ B♭ C D♭ E♭ F) — the arpeggio is the skeleton of that scale, so practise them together.
Start on the root G on the low E string at fret 3 and play E-string fret 3, E-string fret 6, A-string fret 4, D-string fret 3, D-string fret 5. Then play it descending, then in eighth notes with a metronome, then over the the iiø chord of a minor ii–V–i.
Keep going
Same arpeggio on piano · Half-diminished (m7♭5) hub · chord-scale theory.
Other arpeggios from G